Microfono professionale con braccio a livello di studio di registrazione; qualità audio da professionisti e aspetto ordinato
Take your content production to pro-level with the Trust GXT 255+ Onyx microphone, which includes an adjustable arm, shock mount, and pop filter – providing you with crisp, clean audio fit for the masses.
Streams, podcasts, vlogs – you name it. The membrane microphone’s cardioid recording pattern captures audio reduces background noise, ensuring your voice is heard.
A zero-latency headphone monitoring port lets you listen to what you’re recording in real-time, while the gain and mute knobs on the front of the microphone provide easy control.
The microphone’s arm is held in place with a C-clamp table stand, while easily adjustable joint tension enables you to record comfortably.
An adjustable LED lighting ring adds colour to your production setup, while a 2-port USB hub adds extra convenience. Plus, a digital USB connection means you’re instantly ready to start recording.
Microfono USB
Braccio per microfono
Supporto ammortizzato
Cavo USB
Manuale utente
Porta USB
Windows 10, 11
macOS 10.15, 11, 12
Chrome OS
The microphone arm is suitable for desks with up to 4.8 cm thickness.
The maximum table thickness should not be higher than 45mm.
By long-pressing (4 seconds) the button on the bottom of the mic, you switch on/off the light. By clicking the same button you start/stop the color cycle.
You switch on/off the microphone by pressing the microphone volume button on the front.
If you want the music to be loud, but the monitor volume low, you turn the volume button on the microphone high, and keep the volume in the playback/mic levels low.
There are 5 volume options via this microphone
Check both the headset volume on the computer, as well as the headset volume on the microphone itself. The headset volume button is located on the front of the microphone, right above the headset connection.
Check both the microphone volume on the computer, as well as the microphone volume on the microphone. The microphone volume button is located on the front of the microphone, right above the headset volume button.
The standard microphone volume in Windows is 2.0 dB, which should be sufficient for most purposes.
The red light indicates that the mic mute function has been activated.
When mute is activated, the buttons will not function.
Le consiglio di chiedere la sostituzione dell'articolo direttamente dal rivenditore.
Nel caso in cui il prodotto sia difettoso, è possibile restituirlo al rivenditore insieme a una descrizione del tipo di malfunzionamento, alla prova d''acquisto e a tutti gli accessori.
Se il prodotto è ancora in garanzia, riceverete un prodotto sostitutivo (se disponibile) dal rivenditore.
Condizioni di garanzia:
https://www.trust.com/support/warranty
The pick-up pattern of a microphone is the sensitivity to sound relative to the direction or angle from which the sound arrives, or how well the microphone "picks up" the sound from different directions. The most common types are: Cardioid, Omnidirectional, Unidirectional, Bidirectional.
CARDIOID
The most commonly used pattern is most sensitive at 0° (the front) and least sensitive at 180° (the back). This isolates it from unwanted ambient sound. You can use this for most recording applications. It is easy to get a good signal as the cardioid pattern blends out a bad sounding room, a noisy fan in the background, etc.
OMNIDIRECTIONAL
The omnidirectional microphone has equal sensitivity at all angles. This means it picks up sound evenly from all directions. Therefore, the microphone need not be aimed in a certain direction. It will be especially useful in good sounding rooms.
UNIDIRECTIONAL
Unidirectional microphones are most sensitive to sound arriving from directly in front (at 0°) and less sensitive in other directions. This makes unidirectional microphones effective at isolating the desired sound from both unwanted sound and ambient noise.
BIDIRECTIONAL
A bidirectional microphone (with figure-8 pattern) picks up the sound from in front of the microphone (at 0°) and from the rear (at 180°), but not the side (at 90° and 270°). It can be beneficial in situations where you do not want a signal coming from a 90° angle to bleed into the microphone.
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